I’ve had this happen before–one of the unexpected benefits of switching to an SUV from a pickup: no shoveling out the bed.
It seems like we see some sort of awful news about cops just about every day any more–often deservedly so. A video like this tells me that maybe we can get things turned around. Pretty amazing. Now we just need to start treating each other like this all year round. This one is a must watch–but that doens’t mean I’m not still wary of cops.
It was Sunday night, the sofa was soft, the down comforter warm, and the sun was shining on Downton Abbey–it’s always shining on the glacially slow BBC soap opera, you might have noticed, despite what I’ve heard about England, yet it was brighter still inside the ice arena in Sochi, Russia where the world’s finest ice dancers were doing their thing in the short program–see how I’m talking in cool skater jargon?–and lighting things up. We tuned out of England and headed for the East.
I don’t know what the hell I’m looking at, of course–I know basketball and football (American Football, the best kind 😉 )–but all I know about skating is that skaters have to fit “swizzles” into their programs. Otherwise, I’m judging what looks good, what looks fluid and graceful and, well, (sorry, gentlemen) what looks pretty. Last night, they all looked pretty, and it doesn’t help that I’m a guy who, despite feminist leanings, can’t help noticing how beautiful some of these women are–muscles, smiles, short skirts–it’s better than art on a wall. I’m generally too beguiled by the beauty and the unfamiliar sport to be any kind of judge, unless one of them teeters visibly or falls down.
The top couples last night all stayed upright. We caught Canadians Scott Moir and Tessa Virtue early on and decided they were unbeatable, even if the young lady didn’t have the most perfect figure skater name ever. Tessa Virtue. A name like that doesn’t even need a publicist–at least not in theory.
A short while later, we enjoyed watching a young Russian pair, Elena Ilinykh and Nikita Katsalapov, and you know what? Yep, they looked unbeatable, though I thought–or, more appropriately, felt something that made me wonder if the Canadians were not just a little bit better. At it turned out, it was close, but I was right.
The next skaters were noticed were a French pair, Nathalie Pechalat and Fabian Bourzat, who I think I liked best of all, up to that point, and guess what: I thought they looked unbeatable. It doesn’t hurt that Ms. Pechalat wore the most beautiful, most exuberant smile on her already beautiful face throughout their program–I wanted them to do well on spirit alone, and they did, landing briefly in third place behind Ilinykh/Katsalapov and Virtue/Moir.
They had to know it would be short-lived. Even though another young Canadian pair–Kaitlyn Weaver, Andrew Poje--came out and gave a great showing–not quite unbeatable, but fluid and spirited, and Ms. Weaver’s brilliant blue dress was the hands-down scene stealer of the evening, the night belonged to the last couple to skate.
It seemed like NBC packed an especically dense set of commercials into the space before Meryl Davis and Charlie White took the ice, and why shouldn’t they? This all-American couple of student-athletes has been anointed as the face of the American Olympic team this year, and for all intents and purposes they were a very good choice: smart, upbeat, and wholesome–some of my favorite images of this Olympics have been of White and Davis off the ice, cheering for their team-mates and consoling them when things haven’t turned for the best. You have to like that.
Of course, they’re also the best skaters in the world right now, and while I can’t quantify why, it was clear the moment they hit the ice–even to a neophyte like myself. I could not see, so much as I felt the difference–the skill and the surety of their performance, the confidence in every movement. It is their moment, they knew it, and their world record finish pretty much cemented the fact–while simultaneously burying all but the most emphatic–and nationalistic–rumors of score fixing that had been swirling around. Meanwhile, back and Downton Abbey, absolutely nothing had happened.